judith barnes | Earth & Ether

In order to rise, there had to have been a faLL
This just means there are LeveLs to it aLL
PercoLate, osciLLate, take a step back, move round and around
Adjust your frequency, be kinetic or inert
Lay faLLow, rest and grow
DeveLop your intuition, know what to keep and what to Let go…

I began to understand progress when I deveLoped the abiLity to Look back.
What was there, what was aLways there?
History. Patterns. Karma. Past Lives, unspoken.
I had to be ever so quiet to remember who I was, who I’ve aLways been.
I changed. I change. Everything does. For a reason. Do the math.
Sankofa.

-shiLa iris

The Water

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The water heals
so, I swim deep

the depth of it all
just seems so out of reach

so I fetch, dig deep in my memory
the spirits rise, so again I can see

at the bottom of the ocean
in Labadi beach
The horses, they come for me

I am the master of this ceremony
new life, new mind
3 dollars and 6 dimes
Cause the woman that knows something,
knows that she knows nothing at all
Change

-by Shila Iris

My Introduction to “Knowledge of Self”

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Becoming conscious of my own existence, my mind began to transform. I shedded my ego and my eyes opened to reveal my heart. Gaining clairvoyance through observation, I realized that the now was here. I had a chance, so I took it. The urgency of my evolution allowed me to see the matrix, the numbers, the chemistry, the hieroglyphs, the cyphers- the rotation was magnificent. As I matriculate, I stay true. I have seen with my own two eyes the truth. My accountability, my sacrifice, my love is here. I wrote myself back into the story, and started to really love this girl. This level of maturity, this level of security, my restoration is my assignment. Obstacles are moving, resistance is under my elephant feet, I defeat, every time. Better Me. I wanted her so bad, I had to get her. I saw Shila, and I pursued her, until she was strong and her colors shined through. I planted my flag, my culture, my God. I came for her. Osiris Rising.

Thank you for visiting,

Shila Iris

My Introduction to James Baldwin

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As a child, when tough times fell on my family, I became an avid reader. At the age of 8, I was visiting the library, checking out the thickest and heaviest novels I could carry. I would read just about anything, as long as it kept me occupied. Browsing the shelves of the African-American Literature section, I often saw James Baldwin’s name, but for some reason, I avoided his books. I did this for a long time, and didn’t take an interest in his writing until I was in my 30s. I kept hearing his name in the art community, both locally and nationally- it turned out, he inspired many people.

One day, I was visiting my oldest sister and she had a copy of one of his books in her purse. I inquired and she said that he is her favorite writer. I said, well that’s enough. I am going to have to read one of the three Baldwin books I have at home! Yes, I had gone as far as purchasing his books, but still never read them. Giovanni’s Room was my choice. I was pleased. I will read many others. The way he brings the Black experience to life, and the way he isn’t afraid to discuss what conformists think are the “darkest” parts of our existence, is what makes his writing so attractive. He is the voice inside of our heads.
And, that’s all I have to say!

Thank you for coming here,

Shila Iris

My Introduction to Judith Jamison

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The first time I saw my sister, Judith, perform a classical dance routine with the Cleveland School of the Arts at Parade the Circle, may have been one of the first times I ever saw such dancing. These teenage girls showed real promise. It wasn’t a talent I possessed, but it was definitely one that I admired. I felt a strong connection to the music and to the movement of the dancers. She was really good at it. My sister did not go on to pursue dancing, but I have always wished she would have. Later, I was in the John Hope & Aurelia Franklin Library on the campus of Fisk University doing research for a paper, and I came across a book with Judith Jamison’s picture. She was standing on one foot, with the other pointed up in the air. Her poise was unforgettable. I have paid close attention to her ever since. She spent time studying dance at my Alma Mater, Fisk, and then went to the Philadelphia Dance Academy. Jamison has danced since the age of six studying ballet, tap, acrobatics, jazz, and primitive dance. She was accepted into the American Dance Theater and soon after became the protégé of Alvin Ailey touring the world with his dance company for fifteen years. She branched out and created her own ballet company, but when Alvin Ailey died in 1989, she merged with his company to keep the legacy alive. Her work fuses African motifs with modern dance. I’ve been blessed to see the Alvin Alvin Ailey Dance Theater perform several times, and each time, I always think about Jamison’s picture in that book in the library. I am pleased to say that the two of them together, are my favorite dancers and are definitely part of my Black History.

Thank you for reading,

In remembrance of Robert Nesta aka Bob Marley, Happy Birthday!